The Real Kalakuta Republic

Kalakuta Republic was the name musician and political activist Fela Kuti gave to the communal compound that housed his family, band members, and recording studio. Located at 14 Agege Motor Road, Idi-Oro, Mushin, Lagos, Nigeria it had a free health clinic, and recording facility. Fela declared it independent from the Nigerian government after he returned from the United States in 1970.

The word "Kalakuta" was a caricature of a prison cell named Calcutta that fela inhabited.

 The compound burned to the ground on February 18, 1977 after an assault by a thousand armed soldiers. Before the attack on Fela's home, he made a record called Zombie, about the Nigerian military regime. 

In the song, soldiers are called zombies for obeying orders blindly. One of the lines of the song, in pidgin English says, "Zombie no go walk unless you tell am to walk", i.e., a zombie won't walk unless commanded to. While not criticising the idea of military service generally, Fela was frustrated with the Nigerian army's rank and file that allowed corruption and intimidation of their communities by the corrupt and rich top brass, while blindly following orders to intimidate Nigerians.

The song was popular in Nigeria, upsetting then Head of State General Olusegun Obasanjo. Obasanjo had been a schoolmate of Fela's in primary school in Abeokuta. The military was unhappy with Fela's constant criticism and said it was unseemly to have a republic within a republic. Nigerian tabloids carried lurid but unverified tales of girls lured to the compound by Fela's band members and corrupted.

During the attack on Kalakuta Republic by Nigerian soldiers, Fela's mother was thrown from a window and died after an 8-week coma.

Following this attack, Fela married 27 of his backing singers in a mass wedding ceremony at the office of his lawyer, Tunji Braithwaite. Fela said he would not have marital relations with all of the women as the tabloids suggested, but had married them as they could not find employment after the recording studio had been burnt down. According to Fela, in African tradition, when a woman was in danger of being left destitute, it was the duty of a man in her community to marry her as a means of offering protection.References

Fela: The Life and Times of an African Musical Icon By Michael E. Veal, p. 143

Revitalization of Fela's influence on music and popular culture

In recent years there has been a revitalization of Fela's influence on music and popular culture, culminating in another re-release of his catalog controlled by Universal Music, off-and-on Broadway biopic shows, and new bands, such as Antibalas, who carry the Afrobeat banner to a new generation of listeners.

In 1999, Universal Music France, under the aegis of Francis Kertekian, remastered the 45 albums that it controlled and released them on twenty-six compact discs. These titles were licensed to other territories of the world with the exception of Nigeria and Japan, where Fela's music was controlled by other companies. In 2005, Universal Music USA licensed all of its world-music titles to the UK-based label Wrasse Records, which repackaged the same twenty-six CDs for distribution in the USA (replacing the MCA-issued titles there) and the UK. In 2009, Universal created a new deal for the USA with Knitting Factory Records and for Europe with PIAS, which included the release of the Fela! Broadway cast album.

Thomas McCarthy's 2008 film The Visitor depicted a disconnected professor (Oscar nominee Richard Jenkins) who wanted to play the djembe. He learns from a young Syrian (Haaz Sleiman) who tells the professor he will never truly understand African music unless he listens to Fela. The film features clips of Fela's "Open and Close" and "Je'nwi Temi (Don't Gag Me)."

In 2008, an off-Broadway production of Fela Kuti's life titled Fela! began with a collaborative workshop between the Afrobeat band Antibalas and Tony award winner Bill T. Jones. The show was a massive success, selling out shows during its run, and garnering much critical acclaim. On November 22, 2009, Fela! began a run on Broadway at the Eugene O'Neill Theater. Jim Lewis helped co-write the play (along with Bill T. Jones), and obtained producer backing from Jay-Z and Will Smith, among others. On May 4, 2010, Fela! was nominated for 11 Tony Awards, including Best Musical, Best Book of a Musical, Best Direction of a Musical for Bill T. Jones, Best Leading Actor in a Musical for Sahr Ngaujah, and Best Featured Actress in a Musical for Lillias White.[19]

On August 18, 2009, award winning DJ J.Period released a free mixtape to the general public via his website that was a collaboration with Somali-born hip hop artist K'naan paying tribute to Fela, Bob Marley and Bob Dylan entitled The Messengers.

In October 2009, Knitting Factory Records began the process of re-releasing the 45 titles that Universal Music controls, starting with yet another re-release of the compilation The Best of the Black President in the USA. The rest is expected to be released in 2010.[dated info]

In addition, a movie by Focus Features, directed by Steve McQueen and written by Biyi Bandele about the life of Fela Kuti went into production in 2010. It was announced in 2010 that Chiwetel Ejiofor would play the lead role.

References
From Wikipedia the online encyclopedia

MY FELASOPHY COLLECTIONS

The life and music of Fela Kuti, the Nigerian performer, composer and political activist, has come to the stage in Fela! The show is set to the infectious Afrobeat music he pioneered — a mix of jazz, highlife, funk and traditional West African chants and rhythms.

Kuti’s outspoken stance against corruption and oppression, through songs such as “Zombie” and “Unknown Soldier,” made him a target of Nigeria’s dictatorship in the 1970s. In 1977, the military attacked and destroyed the compound where he lived and recorded his music, and Kuti was banned from performing

Most of Fela's Album Art where design by Lemi Ghariokwu,

Lemi Ghariokwu is a Nigerian artist and designer who is most renowned for providing many of the original cover images for the recordings of Nigerian musician Fela Kuti.[1]

His work involves a variety of styles, often using vibrant colours and individuated typefaces of his own design.

More than 2,000 album covers have been designed by Lemi, including covers for Bob Marley, E. T. Mensah, Osita Osadebe, Gilles Peterson and Antibalas.

Many of Ghariokwu's cover images echo and sometimes comment on the work and politics of the recordings that they accompany, serving a consciously integrated metatextual function.

Ghariokwu's approach to his work with Kuti involved listening to and digesting the music and then expressing his reaction in his paintings, design and comments which provide a high level of detail on the many album covers he delivered.[citation needed]

Lemi's relationship with Fela Kuti was very cordial. He gave Lemi total freedom with his work and thoughts to the level that he just did as he pleased, albeit responsibly, with how and what he wanted to express. Lemi had the rare previlege of putting his photograph and comments on some of the covers and was treated like a son, friend, adviser and comrade by the Afrobeat legend.

Ghariokwu's work has attracted much attention in the West and is the subject of various retrospective exhibitions.[2] His painting Anoda Sistem, created in 2002, is in the permanent collection of the Museum of Modern Art.[3]

Some of Ghariokwu's archive is now in the possession of Punch Records whose CEO Ammo Talwar has invited the academic community to make sense of a utilise this material in productive.